Sarah is an American author, multidisciplinary producer and cultural strategist based between London and New York. Her work explores love, trauma, and resilience through literature, theatre, and immersive cultural projects.

Her forthcoming novel, Juno, and the Long Eye of History, continues her critically acclaimed writing following The True (Editura Integral, 2021) and What Stella Sees (Cove International, 2018) which Grady Harp, POETS and ARTISTS Magazine claimed, “Imaginative, eloquent, poetic and profoundly insightful of how injured minds work, the entire book reads with like grace... In a word, inimitable”. The True was praised by Rain Taxi as “an extraordinary satire of the corrupt economy engulfing the world” and launched at the National Theatre Festival/LibFest in Bucharest. Her essays, interviews and criticism have appeared in Los Angeles Review of Books, CultureBot, Jewish Book Council, and more. In the winter of 2025, she will be reporting for New York based platform, CultureBot with a monthly series on the diasporic edge in “Letters From London”

Alongside her writing, Sarah is Co-Founder and Executive Producer of Wednesday 66 Productions, a women- and diaspora-led studio based in London. Current initiatives include Aguda Returns: 1830 to the Future — a transmedia project restoring Afro-Brazilian diasporic history; Radical Immersion: Designing Immersive Experiences That Reclaim Histories — Co-authored with Dr. Ekua Agha, is a trauma-informed framework for immersive cultural storytelling (shortlisted for Dubai Futures Forum 2025); In New York, she extends her family tradition in the Arts acting as a producer and senior strategist for Judson Commons (Judson Memorial Church) for their Arts and Justice Programs (Dance and Immersion).

Sarah’s career spans two decades at the intersection of art and innovation. She has worked with Netflix, Keyhole/Google Earth, The Kitchen (NYC), AM Hoch, Kristin Jones & William Kentridge (Rome), The Magnus Center for Jewish Art and Life (UC Berkeley), The California Academy of Sciences and the Institute for the Future (California). Raised in New York’s avant-garde theatre — daughter of Lawrence Kornfeld (General Manager of The Living Theater and co-founder of Judson Poets Theater) — she trained as a dancer with Viola Farber, Bill T. Jones, David Gordon, and writing and production at the Royal Court Theatre, London. She is an adjunct professor of Cultural Curation (University of San Francisco, Graduate School of Education) and works with researchers around the world on post-collonial, feminist/womanist, technology/culture, Jewish and Islamic projects. Sarah is a proud graduate of Sarah Lawrence College.

Currently based in London, Sarah is developing her next book and producing projects that bridge diasporic storytelling, immersive design, and cultural strategy.

→ [For Consulting from SK Global Studios)→ [Full Cultural CV]→ [Producing Images]
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